Fadhilah Studio

PERBENTANGAN PROJEK AKHIR VIDEO KUMPULAN KAMI

Tajuknya : Are U Ready For University Life?

tempoh masa : 7 minit 21 saat

https://youtu.be/1Bcl845wt4s



Selesai perbentangan, kami dapat maklum balas positif daripada rakan dan Dr. Jamal.

Terima kasih Dr belanja makan2 pd hari terakhir kelas. Doakan kami dapat menjawab soalan Final Exam dengan baik. Terima kasih sekali kepada Dr atas ilmu yang disampaikan.

Assignment : Video Shooting Techniques Footage.

- jump cut
- match cut / straight cut
-  cut away shot
-  cut in shot

Antara lokasi yang diambil ialah kawasan di Medini

inilah hasil kerja kumpulan kami

https://www.youtube.com/watch?v=YzRGVYtqVR4

What's new in Adobe Premiere Pro?

Tip 1) Make sure you have the right mic for the job Tip 2) Choose your shooting locations carefully to avoid problematic audio environments Tip 3) When microphones are used outdoors they require wind protection

Tip 4) Consider capturing audio using a separate recorder Tip 6) Consider using a dedicated audio software in addition to your video editing software Tip 8) Become more proficient at making smooth edits in your audio software

***menghasilkan Projek video yang menceritakan kehidupan seorang pelajar pascasiswazah di UTM

Capturing Great Video

With your camcorder of choice in hand, it’s time to venture out and shoot videos. If you’re new to videography, following these tips will help you create better videos. If you’re an old hand, think of this list of shooting axioms as a way to snap out of your routine and juice things up a bit:

Extreme Wide Shots (EWS) act to establish the area.


Wide Shots (WS) show the entire person or area. They’re great for establishing the scene and allow for good action of the characters. Sometimes this is known as the long shot.


Medium Shots (MS) frame the subject from the waste up. This is the most common shot and allows for hand gestures and motion.


Medium Close Ups (MCU) shots show the subject in more detail and are often framed from just below the shoulders to the top of the head.


Close Ups (CU) show a particular part of your subject. For people this usually means the shot frames just the head!


Extreme Close Ups (ECU) are much tighter close-up shots in which you get detail greater than the human eye might be able to normally perceive. An example of this shot might be of the mouth and eyes together





Advanced Camera Shot Types

Two Shot: This is a shot of two peoples (or other individuals) together.

Cut Away (CA): Cutaways are used in the editing process to fill in footage which is different from the main action. B-roll is often used for cut-aways. An example might be a cut away of a bird singing if the shot is focused on a couple in the woods.

Over the Shoulder Shots (OSS) are shot from behind the person towards their subject. Generally the frame is cut off just behind the ear, although there are several variations. A good technique to use to get this shot is to frame the person facing the subject with about one third of the frame.

Point of View (POV): This is an effective shot that gives the audience the feel that you’re seeing it from the eyes of the performer. It is taken from near the eye-level of the actor and shows what he might see. It could be used to give the perspective of other animals too like a frog, a bird, or a fish.

 A) SKRIP

- Skrip ialah idea yang dikembangkan menjadi isu dan persoalan.

- Skrip berfungsi untuk memenuhi sesuatu tujuan dengan menggunakan sesuatu jenis media.

- Skrip dihasilkan oleh penulis skrip.

- Penulisan skrip berlaku berulang kali sehingga diluluskan untuk diterbitkan.

- Biasanya Penerbit akan membeli terus skrip dan mengubah bahagian tertentu jika diperlukan.



SUMBER IDEA UNTUK SKRIP

i. Pengalaman sendiri

ii. pengalaman orang lain

iii. pembacaan pelbagai bahan.

iv. menonton.

STORYBOARD

- Satu siri lakaran lukisan yang memaparkan komposisi dalam sesuatu penerbitan filem dan video. Ia mengandungi imej atau visual, diskripsi ringkas berkaitan visual dan shot-shot kamera.

- Pengarah berbincang dengan pelukis untuk menterjemahkan skrip penggambaran ke bentuk storyboard.



KEPENTINGAN STORYBOARD

- Sebagai panduan semasa di tahap Produksi dan Pos Produksi.

- Storyboard membolehkan setiap krew penerbitan membuat perbincangan sebelum pergi membuat rakaman.

- Rakaman yang dilakukan mengikut storyboard akan melancarkan proses penyuntingan.

Nowadays, there are many types of video cameras at all budget levels, shapes and sizes and presented below is a quick overview of the types of video cameras available in the market today:

a) Smartphone

d) DSLR Video Cameras

The Basic Camera Moves

Let's look at the basic moves that are used in every video and film production, from those used by your wedding videographers to those used by Spielberg himself. Our pictorial examples show a videographer using these moves with a hand-held technique, but they apply best to tripod and dolly use.

Tilt: Moving the cameras lens up or down while keeping its horizontal axis constant. Nod your head up and down - this is tilting.

Pan: Moving the camera lens to one side or another. Look to your left, then look to your right - that's panning.



Zoom: Zooming is one camera move that most people are probably familiar with. It involves changing the focal length of the lens to make the subject appear closer or further away in the frame. Most video cameras today have built-in zoom features. Some have manual zooms as well, and many have several zoom speeds. Zooming is one of the most frequently-used camera moves and one of the most overused. Use it carefully.

Pedestal: Moving the camera up or down without changing its vertical or horizontal axis. A camera operator can do two types of pedestals: pedestal up means "move the camera up;" pedestal down means "move the camera down." You are not tilting the lens up, rather you are moving the entire camera up. Imagine your camera is on a tripod and you're raising or lowering the tripod head (this is exactly where the term comes from).

Dolly: Motion towards or motion from. The name comes from the old "dolly tracks" that used to be laid down for the heavy camera to move along - very much like railroad tracks - in the days before Steadicams got so popular. The phrase dolly-in means step towards the subject with the camera, while dolly-out means to step backwards with the camera, keeping the zoom the same. Zooming the camera changes the focal length of the lens, which can introduce wide-angle distortion or changes in the apparent depth of field. For this reason, it's sometimes preferable to dolly than zoom.

Truck: Trucking is like dollying, but it involves motion left or right. Truck left means "move the camera physically to the left while maintaining its perpendicular relationship." This is not to be confused with a pan, where the camera remains firmly on its axis while the lens turns to one direction or the other. You might truck left to stay with a pedestrian as she walks down a street.